The Asian Art Museum in San Francisco has removed a bust of former International Olympic Committee (IOC) President Avery Brundage from its foyer because of concerns over his “racist legacy.”
The bust was unveiled by the Asian Art Commission in 1972 and has sat in the foyer since in honour of the institution’s founding patron, as reported by The New York Times.
Brundage, who had represented the United States in 1912 Olympic Games in Stockholm in the pentathlon, served as President of the IOC from 1952 to 1972, having joined it as a member in 1936.
Brundage, who died in 1975, opposed the boycott of the 1936 Olympic Games in Berlin, during his time as President of the American Olympic Committee.
There were calls, led by politicians in the US, to boycott the Games because of concerns around the morality of supporting an Olympics in a country led by a Nazi regime.
There was concern in the United States about Nazi Party leader Adolf Hitler’s treatment of Jewish people, his belief in the superior race and how Jewish and black athletes representing the US at Berlin 1936 would be treated.
Brundage argued politics had no place in sport claiming: “The Olympic Games belong to the athletes and not to the politicians.”
In December 1935, the Amateur Athletic Union of the United States voted to send a team to Berlin 1936, with Brundage playing a key in swinging the vote in favour of participation.
The Museum benefactor also expelled African American athletes Tommie Smith and John Carlos from the 1968 Olympic Games in Mexico City after they raised their fists in support with the Black Power movement on the podium after winning silver and bronze medals in the 200 metres.
Brundage deemed the pair’s actions to be a domestic political statement unfit for the Olympic Games.
Asian Art Museum director Jay Xu claimed they had not fully aware of Brundage’s controversial past until 2016, when staff were preparing for the Museum’s 55th anniversary celebrations.
In an open letter earlier this month, published in response to the killing of George Floyd in Minneapolis, which has Black Lives Matter marches all around the world, Xu addressed the thorny issue of the Museum’s history.
“If we pride ourselves as guardians of a historical art collection, we must contend with the very history of how our Museum came to be,” Xu wrote.
“Avery Brundage, whose collection forms the nucleus of this institution, espoused racist and anti-Semitic views.
“We have removed his name from Museum initiatives but have yet to address this history in a fully open and transparent way.
“Only by publicly condemning Brundage’s racism and examining the foundation of our Museum can we become an even greater source of healing and connection.
“Addressing this history is only a modest beginning.
“We must ensure that anti-racist measures are foundational to all Museum work and processes, and to the experience of every visitor.
“Our Museum is still learning how we can nurture the kind of intersectionality that allies us to larger movements and promote change from within our own institution.
“We must engage our communities for guidance, insight, and partnership, and welcome all comments, suggestions, and criticisms.
“In this way, we can evolve into a Museum that is truly for all.